Probably something is missing in that list. Liszt - Ballade or Valley d'Obermann, Funerailles or other Rhapsody - to learn the style and Liszt's language in slower phrases Liszt - pick at least 2 Transcendental Etudes - really 2nd Hungarian is harder than these, you need to play them to get mental stamina, technique, learn the style Scriabin, Rachmaninoff - pick some Preludes or Etudes, at least 3 - for managing more complex texture and melodies 749 - just go through them slowly to get grasp of different techniques, there is no need to perfect them up to tempo, they are good for practicing sight-reading tooĬhopin Etudes - at least 6 I would say (one should be from these "hard" ones, also the B minor for octaves is nice-to-play before Liszt stuff) - for improving dexterity, clarity, musicality, touch, etcĬhopin Nocturnes -pick 2 or 3 - for musicalityĭebussy - pick some preludes - for clarity and managing the textureīrahms - pick at least one piece from Intermezzos - for managing more complex textureīrahms - Hungarian dances - to learn hungarian style
But generally speaking:Ī few preludes and fugues from WTC 1 or 2 by Bach - to learn how to manage more than one voice (there is plenty of it in Liszt)Ī few Sonatas by Beethoven (one should be from these "hard" ones) - for mental stamina and this "clear" touchĪt least one Sonata by Mozart - for light touch which is greatly needed in LisztĬzerny Etudes op. And to be versatile classical pianist you need to learn a bunch of repertoire. To play Rhapsody no 2 you need to be very versatile in terms of technique and musicality.
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